Beckett Mullen is a senior Linguistics concentrator in Quincy House. They are currently stage managing Die Fledermaus, and have previously worked on Harvard College Opera's Le Nozze Di Figaro and The Rake's Progress and Lowell House Opera's Ariadne auf Naxos. Their non-operatic theatrical experience includes technical direction and stage management for a multitude of Harvard-Radcliffe Dramatic Club productions and one-time performances across campus. They have also interned with the ART's Burn All Night in 2017 and the Public Theater in 2016 (The Taming of the Shrew, Troilus and Cressida, Twelfth Night, and Privacy). They will continue to work in technical theatre after graduating.